North By East part 2
North Sea Drawings ( Ghost Walk )
In collaboration with London based poet Tamar Yoseloff. All text © Tamar Yoseloff 2017 all images and soundtrack © Bill Jackson 2017
North By East part 2
North Sea Drawings ( Ghost Walk )
In collaboration with London based poet Tamar Yoseloff. All text © Tamar Yoseloff 2017 all images and soundtrack © Bill Jackson 2017
North By East part 3
East Wind Drawings Land and Sea ( Loss )
In collaboration with London based poet Tamar Yoseloff. All text © Tamar Yoseloff 2017 all images and soundtrack © Bill Jackson 2017
North By East part 3
East Wind Drawings Land and Sea ( Loss )
In collaboration with London based poet Tamar Yoseloff. All text © Tamar Yoseloff 2017 all images and soundtrack © Bill Jackson 2017
North By East part 3
East Wind Drawings Land and Sea ( Loss )
In collaboration with London based poet Tamar Yoseloff. All text © Tamar Yoseloff 2017 all images and soundtrack © Bill Jackson 2017
Homecoming (Ghost Tree) | Homecoming (Ghost Tree) |
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Homecoming (Ghost Tree) | Homecoming (Ghost Tree) |
Homecoming (Ghost Tree) | Homecoming (Ghost Tree) |
Homecoming (Ghost Tree) |
Homecoming (Ghost Tree) | Homecoming (Ghost Tree) |
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Homecoming (Ghost Tree) | Homecoming (Ghost Tree) |
Homecoming (Ghost Tree) | Homecoming (Ghost Tree) |
Homecoming (Ghost Tree) |
Maverick Green Sofa Sessions 2019
After the burning of the red sofa sometime in 2019 a change was coming. While looking for the red sofa i came across a green sofa covered in hay. It was time to move on and the Green Sofa Sessions was born.
Not unlike early recordings of Country musicians playing on a porch or steps, as exemplified by the excellent series by Ken Burns "The History Country Music", Jackson invited musicians to perform live straight to camera using only one overhead microphone.
They are recorded for posterity for the Maverick Festival archive. All music © the musicians all film material © Bill Jackson Foto Films.
This is only the beginning. Below is an introduction by the Maverick Festival Director Paul Spencer and a message from The Crux to all American music fans.
Maverick Green Sofa Sessions can be seen on Vimeo
Maverick Green Sofa Sessions 2019
After the burning of the red sofa sometime in 2019 a change was coming. While looking for the red sofa i came across a green sofa covered in hay. It was time to move on and the Green Sofa Sessions was born.
Not unlike early recordings of Country musicians playing on a porch or steps, as exemplified by the excellent series by Ken Burns "The History Country Music", Jackson invited musicians to perform live straight to camera using only one overhead microphone.
They are recorded for posterity for the Maverick Festival archive. All music © the musicians all film material © Bill Jackson Foto Films.
This is only the beginning. Below is an introduction by the Maverick Festival Director Paul Spencer and a message from The Crux to all American music fans.
Maverick Green Sofa Sessions can be seen on Vimeo
Maverick Green Sofa Sessions
History
In 2014 I had an idea which I put to the Founder and Director of the Maverick Festival of Americana Roots Music, Paul Spencer. Cutting a long story short i found an old red sofa in a barn and the rest is history as they say. Nearly 200 individual singer / song writers and bands have sat on the Red Sofa. Many of the photographs have been used by the musicians for publicity and some have made their way onto album covers. In 2018 I did the sessions on an iPhone when we couldn't get the red sofa out a barn full of hay bales. Examples of sessions between 2014 -2018 which shows the development of the concept.
Maverick Green Sofa Sessions 2019
After the burning of the red sofa sometime in 2019 a change was coming. While looking for the red sofa i came across a green sofa covered in hay. It was time to move on and the Green Sofa Sessions was born.
Not unlike early recordings of Country musicians playing on a porch or steps, as exemplified by the excellent series by Ken Burns "The History Country Music", Jackson invited musicians to perform live straight to camera using only one overhead microphone.
They are recorded for posterity for the Maverick Festival archive. All music © the musicians all film material © Bill Jackson Foto Films.
This is only the beginning. Below is an introduction by the Maverick Festival Director Paul Spencer and a message from The Crux to all American music fans.
Maverick Green Sofa Sessions can be seen on Vimeo
Bill Jackson
fotofilm
ANGEL IN THE TREES 2016
In collaboration with Los Angeles based playwright Dan O'Brien. All text © Dan O'Brien 2017 all images and soundtrack © Bill Jackson 2017
Angel In The Trees | Angel In The Trees |
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Angel In The Trees | Angel In The Trees |
Angel In The Trees
(from In Search Of Gretel)
An extract from Angel In The Trees
written by Dan O'Brien
I walked everywhere. I had to, had no car. I never did, never trusted them. Never felt the need to, you know, drive, being a lifelong New Yorker, or thereabouts. And even here, down South, as they say, I worked not far from home through a walk in the woods to a liberal arts college where I wrote mostly fluff pieces really for the college alumni publication. They called it a magazine. I was thirty-nine.
I was new to this town, if you called it a town, a postage-stamp-sized campus stuck with a cluster of houses, and then the more far flung homes, where I lived, in the woods, alone. I liked it this way. Even these walks alone at night that could sometimes get quite lonesome. I was often set upon by dogs, though strangely they’d never bite but bark vociferously as if I were the one frightening them. A grey fox might slip like tissue across the road through the beam of my flashlight. The deer would wait perfectly still in the dark till you stepped blindly beside them, then snort with such an attitude, trundling off into deeper woods. It was wonderful.
Sometimes, from afar, across the occasional field, the retreating deer with their white tails bobbing looked more like ghost-riders approaching beneath moonlight. It certainly could get strange. As it did that night, about nine-thirty, I believe, my usual time to walk home (I preferred to work late mornings into evening), the oval disk of my flashlight skimming across the surface of the dirt road, when suddenly I heard the sound of something falling, a crackling through branches and then a thud like I thought a body might make, hitting the ground. Though I’ve never heard such a thing. Have you?
I threw my beam to where the sound came from: nothing there but trees. The branches grew loud as if tossing with wind, swelling to a roar, though I couldn’t feel a thing on my face or neck or hands, and the night in front of my face grew black. My flashlight made no dint. Then everything fell quiet again. My footsteps made no sound. I turned round a bend in the road, climbing uphill, my flashlight swerved in the dark and lit upon, standing in the trees with his eyes upon me: an angel.