Still from the fotofilms

Working with specially constructed drawing tools in the dark of night I engage with natural elements including the sea and the wind to map out spaces and environments, tapping into the natural energies to trace and draw, and document unique, live, site specific performances. The reality of the captured image is fundamental to all my work, particularly with long exposure photography.


This concept of time is crucial to my ideas, exchanging the classic definition of photography as a series of instant glimpses of the world in which we live, to a personal definition of ‘space-time’. 


All my fotofilms are created on chosen locations. I create a field of vision for the light drawings to take place; the outcome is unknown. The photograph is the evidence of an 'event' that has taken place, a 'performance' that even I myself cannot see in its entirety. During creation, only the process is evident. It’s through the inherent values in photography as a documentary process that I  realise the idea.

from Building No 9 (work in progress)

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Homecoming (Ghost Tree)